Yungmorpheus, Marlowe, Dee Watkins and extra : NPR

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L.A. rapper Yungmorpheus releases two new songs, «Determine-4 Leg Lock» and «Sonny’s Triangle.»

Enkrypt Los Angeles


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Enkrypt Los Angeles


L.A. rapper Yungmorpheus releases two new songs, «Determine-4 Leg Lock» and «Sonny’s Triangle.»

Enkrypt Los Angeles

The Warmth Verify playlist is your supply for brand spanking new music from across the worlds of hip-hop and R&B with an emphasis on effervescent, undiscovered and under-the-radar acts. Who’s received the new hand? Who’s on a run? It is a menagerie of notable songs curated by fanatics from round NPR Music.

On this week’s Warmth Verify selects, an insular rapper reestablishes the phrases of his savvy music, a hotshot will get a lesson from his OG and a singer-songwriter neutralizes a supply of her melancholy. Elsewhere, there’s melodic rap from NYC, throwback R&B from a small city in Virginia, old-school revivalism from North Carolina and extra. Stream the playlist on Spotify. Verify in.

Yungmorpheus,
«Determine-4 Leg Lock»https://www.npr.org/»Sonny’s Triangle»

There’s a temptation to name the work of the Los Angeles rapper Yungmorpheus low stakes however actually it is simply insular. In his songs, he’s deeply attentive to the world he occupies, even when that world can generally really feel the scale of a small neighborhood. Two soft-chugging, hookless singles he lately launched display the charms of that with the form of shrugging understanding bred by familiarity. «I do know the distinction between the true and what I deem efficiency / Cautious the place you place your shut ties, you may be bleeding for them,» he raps on «Sonny’s Triangle.» You may virtually really feel the tales buried beneath that cynicism. However past the sense of savvy revealed in his music is an informal cool; his rapping shows a really explicit form of unpretentious mastery. «These honkies hate me ‘trigger a n**** braggadocios / I’d twist an eighth simply to place me again in movement … Cash the motive, I’d’ve did it for some tokens / Pigs most likely clap a brother only for a promotion,» he raps on «Determine-4 Leg Lock.» The pure fluidity of his bars appears to imitate his swaggering, which he will not enable petty disturbances to interrupt. That is most likely why he prefers to maintain to himself. — Sheldon Pearce

Jay Prince, «Black & Gold»

The East London rapper Jay Prince was amongst a era of U.Okay. acts that helped push past grime within the mid-2010s. His music has all the time had a sunnier disposition and a extra buoyant sound, befitting his early affiliation with the Soulection imprint and collaborations with the colourful Oregon merrymaker Aminé, L.A. singers Arima Ederra and Joyce Wrice and Mercury Prize nominee Kojey Radical. Now a L.A. transplant, it looks like Prince has discovered his dwelling, sonically. His new single, «Black & Gold» has the delicate, soulful bounce adopted by SoCal rappers like Buddy. The hushed knock of the manufacturing, with its luminescent keyboard accents, fits his piercing voice and his tumbling flows. He exhibits higher restraint right here; the storytelling is tighter and his efficiency is extra exact. «All they care about is numbers within the cloud / Gotta have a bass and it is gotta have a bounce,» he explains. If he cannot fulfill the primary demand, he’s actually delivering on the second. — Sheldon Pearce

YouTube

CL!F, «Misplaced»

The singer-songwriter and multi-instrumentalist CL!F’s track «Misplaced» is a pensive ballad that explores the numerous contradictions of romantic love and emotional toxicity. Produced by Los-Angeles-based Angelo Leroi, the soulful, percussive beat, usual out of guitar, bass and kick-drum hits, is offset with lush, heat vocal harmonies. In an Andre 3000-esque verse that looks like stream of consciousness, the Louisa, Va.-based artist’s pen will get the chance to shine: «You make me imagine that magic is tragic from loving you / Emotions of insanity so huge from loving you / Perhaps I am being dramatic however that is simply what lovers do / I understand that habits simply occur like loving you.» If this single from the crooner’s upcoming debut album, CL!Ftape Vol. 1: Virginia is For Lovers, is any indication, the remainder of the album doubtless channels «actual» R&B and stirs up these feels. — Ashley Pointer

YouTube

Kaash Paige, «Doubted Me»

The Dallas singer Kaash Paige clearly descends from Auto-Tuned Texans Don Toliver and Travis Scott, solely she brings rap-like cadences to R&B songcraft. It’s a totally different form of osmosis, one which requires precise singing. Her 2020 debut, «Teenage Fever,» appeared to stay in the identical psychedelic sonic realm as Astroworld, however Paige will not be restricted by her voice and may stretch her songs in additional imaginative instructions. Her new track, «Doubted Me,» has all the traits of a flexing rap track — doubters and Penthouses and diamonds and unhealthy b***** — with a «Began from the Backside»-esque narrative arc, however the candy melodies might lull a listener into considering in any other case. Her best ability is softening rap cadences, which she makes use of to nice impact right here, giving her showboating a very gentle contact. — Sheldon Pearce

YouTube

Rell Briscoe, «Lonely»

Rappers like A Boogie wit da Hoodie and Lil Tjay helped convey the now dominant pressure of melodic rap to New York Metropolis and an artist like Rell Briscoe feels consultant of their efforts. The Bronx rapper, a tune-first author, has actually come on recently, with a mellow new challenge referred to as Going to Area, however his most spectacular exhibiting continues to be «Lonely,» a freewheeling little track about preserving a gun shut at hand. The refrain is nearly pleasantly droning, as Briscoe hovers simply above a facsimile of the manufacturing made widespread by crooners like Polo G. It looks like an overstatement to name the lyrics on the heart of «Lonely» a «verse,» they usually aren’t doing a lot narratively, however he makes use of them to play with tempo and melody — messing with double-time flows and inverting the hook’s tune. It’s in that area that he exhibits probably the most promise, as a possible earworm generator. — Sheldon Pearce

YouTube

KéJa, «Cuttin Free»

The Baltimore-based singer-songwriter KéJa lately launched her debut EP, Issues Fall Aside, which lingers in emotions of aimlessness amid a deepening melancholy. On the memorable monitor «Cuttin Free,» she finds and eliminates one supply of her anxiousness: her noncommittal boyfriend. «Speaking to a brick wall ‘bout my coronary heart / Is the drained fact / If he cared he’d present me / Should not have to tug it up out of you,» she sings. KéJa cites Brandy amongst her influences, and the track channels the wealthy grooves of Brandy’s self-titled debut with plinked guitar and booming bass. Even her full-toned voice appears to be calling for the connection because it flits between sonorous and feathery tones, including taste and character to a heart-rending, fed-up efficiency. — Sheldon Pearce

Marlowe, «President the Rock»

L’Orange can mud any previous pattern off its shelf to assemble a contemporary, nostalgic beat. On «President the Rock,» the producer cements a legacy as a reclamationist, whereas Solemn Brigham proves that his circulate can match the depth. The track is off the third self-titled album from the North Carolina-bred duo’s collaborative challenge Marlowe. It’s a good marriage of looped, old-school instrumentals and unfettered enthusiasm. «Now whеre your online business at? / Thoughts that and thoughts the brothеrs that be within the again / All they really need is that respect you can’t get with rap,» Brigham warns, taking off together with his bars like he is afraid to get caught. It is a high-energy track that challenges the previous guard, by taking the standard and respiration contemporary life into it. — Teresa Xie

YouTube

Dee Watkins, «Gleecin» (ft. Icewear Vezzo)

There’s a madcap vitality to the perfect Dee Watkins songs. The Florida rapper can come off as a fun-loving troublemaker and there’s a mischievousness in his supply. 2019’s «Hell Raiser» established him as an impish form of menace, and his threats and putdowns usually really feel like pranks performed for his amusement. «Gleecin» is barely extra aggressive in tone, in an effort to ascertain him as a critical participant. Right here, he is not sporting; he wants rivals to know he is higher than them. The grim TAPEKID and WoodleyOnThaBeat manufacturing strobes like a foghorn signaling incoming hazard, and Watkins comes crashing by. «I do not care about no numbers and no charts, I am the perfect,» he proclaims, and he appears so positive it is virtually convincing. That’s, till Detroit vet Icewear Vezzo enters the chat with a nonchalant verse that by no means stops unfurling. In some methods, it looks like an OG exhibiting a hotshot that there is nonetheless a lot to be taught. — Sheldon Pearce

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