Tchaikovsky’s live performance fantasia, let’s speak about it!

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It’s a pretty work, simple entering into its personal, unpretentious method. It’s balletic and delicate, very very similar to the Second Piano Concerto. The Molto vivace part of the second motion («Contrastes») is so-so, however the first a part of that motion, Andante cantabile, is beautiful, like, say, the gradual actions of the First Symphony, the Second Suite for orchestra, and Manfred. I totally get pleasure from Douglas’ efficiency with Leonard Slatkin conducting the Philharmonia (RCA), though Pletnev with Fedoseyev and the identical orchestra (Virgin) ranks fairly up there as properly. Hai-Kyung Suh with the Tutorial Symphony Orchestra of the St. Petersburg Philharmonic below Alexander Dmitriev (DG) is properly value in search of out additionally.

That mentioned, I actually like Jerome Lowenthal’s choice to incorporate Tchaikovsky’s different ending of the primary motion, even with the inclusion of the second motion in full. That pleasurable recording was made in 1981 with the London Symphony below Sergiu Comissiona (Arabesque/Bridge).

 

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