Spherical One: Voi Che Sapate. Berganza, Bartoli, Patti

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Adelina Patti was a regulation unto herself throughout a lot of her profession, bu I, for one, don’t like the way in which she pulls and pushes the phrases on this charming aria, distorting the road. One or two phrases, positive, however the entire aria? No! The voice is a delight, the tone pure and virtually virginal.

Cecilia Bartoli’s efficiency comes, I assume, from the Barenboim 1991 full recording. It’s early Bartoli and, thus free from most of the mannerisms she assumed in later profession, when she turned Cecilia Bartoli! It’s sung merely, as Mozart needs to be sung and I just like the tempo. There’s a trace of toughness within the voice even at this take away, although it’s not completely inappropriate for Cherubino.

Teresa Berganza I often like, and the lightness of voice was at all times a attribute of her singing. What I dislike is the trace of a vibratoless sound I hear generally in the beginning of phrases. Is {that a} stylistic option to denote that it’s “Mozart?” In any other case, I discover it an virtually ideally suited traversal of the aria, although she sounds extra like a soprano than mezzo.

I need to say that I don’t pay attention, or haven’t usually listened to any of those singers until they seem in different recordings. Not Patti, in fact.

 

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