There’s one thing fairly placing about Nicôle Lecky. She’s witty and classy, multitalented and grounded—however what stands out most in regards to the 32-year-old English-Jamaican actress is her authenticity. When Lecky joins our Zoom name to talk about her blossoming profession and her BBC Three collection, Temper, she units the tone with a confession. “I’m having an absolute ‘mare,” she says with a tinge of humor. Sporting a baby-blue, tawny-brown color-blocked teddy jacket and a modern middle-part ponytail, Lecky explains that she’s acclimating to a brand new laptop computer after spilling water on her outdated one. She now has to switch all of her backed information—a nightmare certainly. However she shortly focuses on the silver lining: “A minimum of I’m a backup form of lady,” she says.
Lecky is conscious that transparency is the crown jewel of her charisma. “If I am going wherever, any person is sure to come back as much as me and inform me one thing about their life,” she says. “I am fairly open as an individual, and that always means individuals open up to you.” Lecky’s tendency towards being a eager listener with a pure curiosity about different individuals’s experiences helped delivery her present, Temper, which Lecky created, starred in, and government produced. The drama follows Lecky’s character, Sasha, a down-and-out aspiring singer who finds herself within the worlds of intercourse work and clout-chasing influencer tradition whereas struggling along with her personal trauma. The six-part collection, which premiered within the UK earlier this yr and is coming to BBC America and AMC Networks on Nov. 6, is tailored from Lecky’s one-woman play, Superhoe. The stage manufacturing debuted at London’s Royal Courtroom Theatre in 2019, garnering essential acclaim.
Earlier than hitting the stage, Lecky’s Superhoe was considered one of many spec scripts she had in her repertoire. Whereas learning at Mountview Academy of Theatre Arts, the place she majored in performing, Lecky labored on fine-tuning her writing, cranking out scripts, and preserving her eyes open for inspiration. The storyline for Superhoe materialized after a pal confirmed Lecky a skeevy web site the place males uncovered ladies as intercourse staff. After doing a little investigative work on social media, she reached out to ladies concerned in intercourse work, hoping to inform their tales. “Numerous them have been just like me within the sense that they have been dancers, singers, or actresses,” Lecky says. “I wished to go down that highway and have a good look with out judging anyone.”
To create Sasha, Lecky additionally drew from her personal background. Each ladies are from East London, an space with a various neighborhood that Lecky insisted on precisely portraying; each like to sing (Lecky reveals off her vocal chops throughout musical sequences all through the collection); and each should navigate the world as mixed-race people who expertise misogynoir and microaggressions. Lecky painted Sasha with strokes of non-public veracity, making the character really feel like an actual particular person with actual issues and actual ambition.
Rising up in East London’s Stratford space, Lecky caught the virtuoso bug early on. As a child, she loved watching movies, singing, and dancing—she’d typically placed on performances for her household. She didn’t see the inventive arts as a profession path till considered one of her highschool academics inspired her to behave. (Nonetheless, her skilled pursuits weren’t precisely linear. Earlier than attending Mountview, Lecky was enrolled in King’s Faculty in London to pursue a level in warfare research. With a purpose to prioritize performing, she dropped out and went to drama college.) She then labored on her craft and made as many connections as she may whereas placing in further work to help herself. “There is a little bit of a swagger whenever you come from East London—that form of hustle mentality,” Lecky says. “I’d hostess, I’d educate, I had so many roles—when all I actually wished to do was make artwork.”
Lecky now feels empowered to broaden her experience, particularly after discovering a love for government producing whereas capturing Temper. “It isn’t typically that younger ladies are given the reins to their very own inventive imaginative and prescient,” she says. “I actually loved that course of.” Lecky’s collection provides to the compelling record of reveals created by artists who’ve dimensionalized up to date womanhood on display screen. In that regard, Temper joins the ranks of Phoebe Waller-Bridge’s Fleabag and Michaela Coel’s Chewing Gum—two UK packages that have been additionally tailored from stage performs—in addition to Issa Rae’s Rap Sh!t, which includes related social commentary and motifs. In actual fact, Waller-Bridge took discover of Temper when it aired within the UK and have become a fan of Lecky and the present. “She is a darling,” Lecky says of the Emmy winner. “I met her not too way back, and we had a very beautiful chat.”
Stagnation isn’t Lecky’s forte, so she’s continuously searching for methods to evolve and preserve her arms full. Now that the Temper soundtrack is out, she needs to launch one other album—“I have been within the studio on and off this yr, assembly superb producers and making songs,” she says—and she or he’d wish to direct a movie. However Lecky is cautious to not run herself into the bottom or succumb to any emotions of inadequacy. “There are occasions once I’m actually proud of all the things I am doing and what I’ve achieved, but I will nonetheless be like, ‘I have to be doing extra,’” she says. “That’s once I swap off social media, or I’ll reward myself once I’m feeling down. Ice cream has helped on many unhappy days.”
The tales that Lecky hopes to proceed sharing will broaden the understanding of the human expertise whereas main with empathy and genuineness. “One factor I am actually fascinated by is the commonalities in all of us,” she says. “For me, it is about creating sincere, genuine work that speaks to individuals—younger ladies, Black ladies, working-class individuals—and makes individuals really feel seen.”