Eric Anders and Mark O’Bitz are a prolific indie people/Americana duo who’ve produced a few of the most attention-grabbing and delightful work the style has seen within the final 4 years. With the harmoizing aptitude of Fleet Foxes and the like however the post-punk grit of Tom Waits, these two artists are well-known by these of us at YEDM who observe such circles, however we by no means thought they’d find yourself featured on YEDM. We should always by no means underestimate the innovation of artist, and the newly remixed variations of their haunting 2020 album American Bardo present Anders and O’Bitz as the newest artists to show that time.
Now that we hear them, the remixes of American Bardo, retitled for the event as Bardo Hauntings and cut up into two components, sound like they had been made to be digital all alongside. A lot so, in actual fact, that the unique songs nearly sound a bit minimal now. Very often with people and Americana work that’s been re-written or remixed into electronica or pop, there’s a second of, “hmm, that’s bizarre,” in a single’s head, adopted by both a yay or nay vote. Ths may be very a lot not the case with Bardo Hauntings, and the rationale for these remixes gelling so properly is unquestionably the remixers, Mike Butler and Steven Jess Borth II (CHLLNGR).
Bardo Hauntings I, the Butler Hauntings, incorporates remixes from half of American Bardo completed by engineer and producer Mike Butler. Other than his engineering creds with Phoebe Bridgers, Norah Jones, The Shins and The Predenders (amongst numerous others), Butler has been working with Anders and O’Bitz for a very long time. Intimate information of an artist’s physique of labor clearly helps with a venture like this, and Butler most likely has probably the most intimate information of those artist other than the artists themselves. He produced and combined American Bardo itself, together with each Anders/O’Bitz launch since, save for 2021’s True September Songs, together with the Bardo Hauntings EPs.
For these EDM followers who’re additionally conscious of the jazz, people and ska worlds, Steve Borth might already be a well-recognized identify. A part of a musical dynasty started by his father Steven Jess Borth I, Borth II had an early aptitude for music and was already acknowledged as a saxopohone prodigy by age 10. Borth has been everywhere in the world utsilizing his multi-instrumental abilities in ensembles and ska bands, however EDMers might know him higher by his ska/reggae/soul/electronica crossover venture, CHLLNGR. Fusing all these genres with breaks, future bass, dubstep, home and techno, Borth’s CHLLNGR venture garnered him fairly a little bit of consideration from the EDM world in within the early 2010s. His aptitude for such fusion additionally made him an ideal selection for Bardo Hauntings.
The 12 remixes on American Bardo are cut up evenly between Butler and Borth to make the 2 Bardo Hauntings, nevertheless it appears the 2 artists picked which of them they wished, because the observe order doesn’t observe the unique LP. On this manner, every producer was in a position to inform his personal story with the tracks they selected. It appears Anders and O’Bitz gave them carte blanche.
The title, ‘Bardo Hauntings,’ is predicated on the concept that remixes hang-out the unique songs. On this case, the unique songs are these of American Bardo, so these remixes are “bardo hauntings.” As with ghosts, the unique is current and absent on the identical time
Butler flexed some composition muscle mass few apart from his laundry checklist of well-known shoppers have heard earlier than. Starting from the startling but emotive industrial/ambient mix of the “Received’t Stay It Down” remix to the heady, theatrical and largely analog remix of “Matterbloomlight” (that is now a 3rd model of this achingly stunning tune, by the best way) to the minimal hour mixture of “Holding Will,” Butler incorporates a spread of kinds and genres with out overdoing it. That is key with such a fragile sound pallette as is in Anders and O’Bitz’s unique discography.
Borth’s remixes are each extra grassroots and extra ravey than Butler’s method. In a lot of the tracks he remixes, Borth retains nearly the entire unique stems, together with the instrumentals and common pop/rock construction, as an increasing number of electronica creeps in progressively to the tunes as each they and the EP roll on. The primary observe “Haunting Abraham,” for instance, begins off nearly fully acoustic after which grows in manufacturing complexity advert Borth provides in a home beat subtly masked as analog. By the top, the observe has a full praise of strings and might no be simply recognizable as a pop or people EDM observe. Discuss delicate remedy; it’s nearly like we’re duped into rave tracks on Borth’s EP, and every observe is a shock as to the way it will unveil itself.
Butler and Borth had very totally different approaches to this remixing venture, however they each introduced out one of the best of Anders and O’Bitz’s work, and hopefully uncovered it to an entire new vary of followers. The concept these are digital “hauntings” of American Bardo is a superb one, because it ties within the Bardo Hauntings not solely to the unique album however to the 2017 Pulitzer-winning guide by George Saunders, Lincoln Within the Bardo upon which American Bardo was based mostly. It’s an illustration of how nice artwork begets nice artwork begets nice artwork and it could possibly unfold throughout media, generations and genres. Now the one factor left to do is go full on Bardo inception and have Butler and Borth remix one another’s remixes. Within the meantime, an attractive physique of labor is now right here for people, literature and EDM followers alike to benefit from the “hauntings.”