Assessment: «Flex» is a slam-dunk in relatable characters however nonetheless misses a number of pictures

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There are glints of brilliance on the court docket with Candrice Jones’ real-life story of adolescent hoops, humor and heartache amongst 5 Black teenage women in rural ’90s Arkansas. But, on the planet premiere of Flex, at Theatrical Outfit by October 2, there are nonetheless a number of missed pictures and out-of-bounds passes amid the intelligent footwork and alley-oops of Jones’ poetic writing.

The present follows the intersecting storylines of associates and teammates on the Plainnoles’ Woman Prepare: Starra, Sidney, Cherise, Donna and April. Cherise (an ebullient India Tyree) is the non secular seeker of the group who’s additionally in a budding romance with quiet and decided Donna (Whitney Nelson). Then there’s Sidney (performed with an ideal combination of assured and obnoxious by Kenisha Johnson), a transplant from California who’s seemingly poised to get recruited first out of the gate. And eventually, there’s April (Aminah Williams), who’s pregnant and battling what to do about it.

Although it’s an ensemble piece, the protagonist is Starra (Hailey Elizabeth), who has her sights set on righting the missteps of her mom, a former high-school basketball star. It helps that Elizabeth has been concerned in numerous readings of the play all through its journey, which provides her a dexterity on this nervous, emotionally fraught function. Starra isn’t simply hungry for fulfillment; she’s ravenous to the purpose that she’s prepared to sabotage her teammates. “Everybody performs just a little soiled,” she says in a single soliloquy, declaring that dishonest isn’t a foul until there’s a referee there to catch it.

Coach Francine Tempo (Andrea Gooden), proper, has a heart-to-heart speak with Starra, left (Hailey Elizabeth).

Like her characters in Flex, Candrice Jones hails from small-town Arkansas and performed basketball all through school. As a result of her writing originates in that place of private affection and first-hand expertise, every character involves life with authenticity and depth. That’s the play’s true energy: the characters, their complexities and the way every actor renders nuances.

All members of the ensemble get their second to shine. Andrea Gooden’s Coach Francine Tempo injects vitality and authority every time she strides onto stage. Johnson reveals some positive comedy chops throughout one scene, when Sidney recounts the titillating particulars from a scandalous journal story. And, because the character in probably the most dire state of affairs, Williams performs April’s growing helplessness in not possible circumstances with an electrical desperation that offers the play its highest stakes. Her teammates wish to assist however haven’t any strategy to perceive what she’s going by, which all bubbles over in a pivotal automobile journey to Mississippi.

Different highlights are the lighting and projection design by Bradley Bergeron, which serve up splashes of vivid shade on the partitions and evoke the recognizable palette of the period. And every scene will get help from a candy throwback soundtrack — recognizable nostalgic jams pipe in by Des’ree and TLC, amongst others.

The play is weakest, sadly, in two integral methods. The primary is the conundrum of the right way to current sports activities onstage. The very moments when basketball feats ought to dazzle, they as an alternative falter. That is most obvious through the climactic Massive Championship, after we ought to a minimum of have the impression that the teammates are giving their all. As a substitute, on the night time I attended, there was an ungainly 5 to 10 minutes the place the actors — who, to be honest, had been possible not forged due to their hooping prowess — simply stored lacking shot after shot, even unencumbered free-throws and layups. This unfamiliarity with the sport was so obvious that it made some members of the viewers chuckle nervously.

Hailey Elizabeth performs protagonist Starra.

Simpler had been the moments after they symbolically moved in line like a choreographed dance, which is what I want director Patdro Harris, who comes from an intensive dance background, had leaned into all through.

To be honest, I attended one of many ultimate nights of previews forward of opening night time, when the play was nonetheless being reworked and revised, so these points could also be finessed by the point you learn this.

The ultimate critique is of the too-neat presentation of April’s sudden and considerably inexplicable change of coronary heart concerning whether or not to get an abortion. Granted, the play was developed on the 2020 Humana Pageant of New American Performs, two years earlier than the Supreme Court docket overturned the 50-year-old protections of Roe v. Wade. However nonetheless, it’s powerful to look at a younger girl all of the sudden determine — like on so many TV reveals and after-school specials — that she “simply can’t undergo with it,” after we dwell in a world the place abortion is now unlawful in Arkansas, even in incest or rape circumstances.

Let that sink in: Pregnant individuals within the Nineties had extra rights over what to do with their our bodies than they do now. And that lends itself to extra scrutiny concerning the messages we get fed about undesirable pregnancies and entry to reproductive care.

One ultimate word: The story takes place throughout the backdrop of the Ladies’s Nationwide Basketball Affiliation’s early years. Amazingly, it wasn’t till 1997 that the league held its inaugural season with eight groups. Since then, they’ve added a number of, together with our personal Atlanta Dream. However none of that WNBA backdrop is explored — whilst it’s extra related than ever within the face of Brittney Griner’s wrongful detainment in Russia, which threw a highlight on the immense disparities in pay for feminine gamers in the US.

From Hoop Goals to Love and Basketball to White Males Can’t Soar, basketball has lengthy served as a vessel for telling a variety of tales with arguably extra versatility than the pantheon of baseball and soccer tales. However for no matter purpose, now we have but to get A League of Their Personal therapy for the WNBA.

So perhaps it’s time to right that? Jones leaves us with sufficient intriguing questions and open-ended prospects for these vividly realized characters that it might be good to witness a follow-up. It’s excessive time for a full-court press into the backstories of those unbelievable athletes, who too typically should blaze trails with out a highlight on their achievements.


Alexis Hauk is a member of the American Theatre Critics Affiliation. She has written and edited for quite a few newspapers, alt-weeklies, commerce publications and nationwide magazines together with Time, The Atlantic, Psychological Floss, Uproxx and Washingtonian. An Atlanta native, Alexis has additionally lived in Boston, Washington D.C., New York Metropolis and Los Angeles. By day, she works in well being communications. By night time, she enjoys masking the humanities and being Batman.


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